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Shame, a film by Roger Corman, is really a startling piece of cinema. Corman is well known as a schlock-meister. It was a strong business model, he would hand some young director a small budget and have them create a cheap, marketable B movie. This was how he paid the bills, but, beyond the B horror and exploitation movies, he was also a truly skilled filmmaker, and more than a few movies beyond on your queue the next time you sign into your movie download service.

The film is shockingly courageous when you take the context into consideration. Shame is about racial relations and tensions in small southern towns. Now, when people were making movies like this in the eighties and nineties, decades after the success of the civil rights movement, that’s one thing. Corman took a crew down to a real small southern town during the civil rights era and actually filmed on location, where he and his team were constantly subjected to harassment and threats from the local populace.

William Shatner really owns the role of the villain in this film. It’s his boyish charm that makes it work.

The concept of the charming racist villain may have been inspired by Adolf Hitler. Corman could have hired a villain actor to play the villain, but the inspired choice of casting someone who seems innocent on the outside exemplifies a primary theme of the film, that being that you need a handsome spokesman to sell ugly ideas.

Corman and his crew were actually run out of town when the local police got wise to what sort of a movie he was doing, and the last few shots he grabbed were literally filmed with the police only a few blocks away and closing in. Literally, the police were walking towards Corman at the time he was filming the last few shots, and he had to hurry up and wrap the shoot, and then pack everything in the truck and vamoose.

Corman may have his lifetime achievement Oscar by the time you read this. It’s about time. Corman’s reputation as a schlockmeister has always seemed to invalidate the immense contributions he’s made to the world of American film.

It’s true that Corman is primarily remembered as the maker of some truly cheap B films, but that’s only one aspect of what he’s done for American film. Besides making some true classics like Shame, he also launched the careers of Dennis Hopper, Martin Scorsese and Jack Nicholson, to name only a few of his many efforts and gifts to the modern cinematic landscape.

If you still haven’t seen any of Corman’s good movies, start with this one, then check out X: The Man With The X-Ray Eyes. Yes, he made a lot of cheap monster movies, he made the sort of sci-fi flicks where you could see the zippers on the alien’s suit, but he also made some true classics both in the horror and sci-fi genres, and outside of his familiar territory, and Shame is an example of what gifts the man has when he can step away from the marketable genres and really put his heart and daring into a project.

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